The Israeli Producer Who Made Movies About 9/11 – Before It Happened
While nearly everyone in the world was shocked by the events of 9/11, Arnon Milchan was certainly not. On 9/11, the Israeli secret agent who became a Hollywood film producer must have said (to himself and his closest friends) that the airplane bombings of the World Trade Center and the explosive demolitions of the Twin Towers that followed looked just like a scene out of one of his movies.
To say that Milchan is an Israeli secret agent misses the mark by a mile. He is much more than that and has been since 1965 when he began his close friendship and strategic partnership with Shimon Peres, the godfather of Israel’s nuclear arsenal. As the Israeli authors of Confidential, a biography on Milchan wrote, Arnon and Shimon “are the holders of some of Israel’s most significant secrets.” Among these secrets would be the Israeli role in the 9/11 attacks against the United States.
In 1965, at age 21, Milchan was recruited to be “Minister of Finance” by Moshe Dayan and Shimon Peres, although this was not the usual ministerial position that one might think. As the authors of Confidential wrote: “What Milchan did not understand was that Dayan and Peres had in mind a completely different kind of “minister of finance,” unelected, secret, far outside the country – and in service indefinitely.”
“He fronted secret bank accounts for the State of Israel – accounts that would be used to finance his country’s most covert and sometimes deadly intelligence operation around the globe.”
When you understand Milchan’s role as Israel’s secret “minister of finance” for the two godfathers of Israeli terrorism, you will understand where Milchan’s funds come from – and why he makes the films that he does.
Prior to 9/11, Milchan was involved with the production of at least four films that featured scenes predictive of 9/11:
1978 – The Medusa Touch: The climactic scene is of a Boeing 747 passenger aircraft flying into the PanAm Building in New York.
1985 – Brazil: The futuristic film depicts a society in which terrorism is a daily occurrence in a state engaged in an never-ending war against the terrorists.
1999 – Fight Club: The final scene shows two people in an apartment watching the high-rise towers around them being blown up.
2000 – The Lone Gunmen: The pilot episode of this TV series made by Milchan’s business partner Rupert Murdoch, featured a Boeing passenger aircraft being remotely hijacked and flown into the World Trade Center. Aired on FOX TV in March 2001.
There may be predictive programming in other films made by Milchan, but we can say with certainty that these four films that he was involved with had scenes with uncanny similarities to the events of 9/11.
How did Arnon Milchan become seemingly obsessed with making films about terrorism, especially plane-into-building terrorism attacks in New York City?
One needs to understand that Moshe Dayan and Shimon Peres are the godfathers of Israeli terrorism. They were the masterminds of the Lavon Affair in Egypt in 1954 – a false-flag terror bombing operation aimed at U.S. and British targets. These were the terrorists who made Milchan “minister of finance” for their secret operations. The prime minister at the time wrote that Peres wants to use terrorism to “frighten the West” into supporting Israel’s goals.
Milchan has always been at the top of the Israeli defense/intelligence network. Milchan’s company was involved in smuggling 850 nuclear triggers to Israel in the 1980s – but oddly his name was not found on the indictment!
The predictive scenes in Milchan’s films indicate that he was aware of the 9/11 plot already in 1978 and used the films he made to depict the attacks that were to befall the United States on September 11, 2001.
In the pilot episode of The Lone Gunmen, the U.S. government is portrayed as the culprit – attacking its own people to advance a war agenda in the Middle East. What we see here is an Israeli attempt to blame 9/11 on the U.S. government – a year before it even happened.
The fact that Milchan got away with smuggling nuclear triggers shows that he is protected by the U.S. Dept. of Justice. If he were not protected by the Zionist faction at the DoJ he would have been arrested on 9/11 to find out how and why he had made films that had such uncanny similarities to the terror attacks that happened that day.
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